Sanctuary Line by Jane UrquhartPosted: September 12, 2012
Liz Crane lives a solitary (if not lonely life) on what remains of her family’s Southern Ontario fruit farm; she spends her days as an en entomologist studying monarch butterfly migrations, and the rest f her time haunted by family catastrophes: the long ago disappearance of her Uncle Stanley, and the more recent death of her cousin Mandy while serving in Afghanistan with the Canadian Army.
Liz reproaches herself for not understanding her cousin better, for not sympathizing with her destructive and consuming affair with a married senior officer. She has isolated herself in the house they once shared, reading her cousin’s poetry books and reliving long forgotten memories. The process brings much more back to her, including her uncle’s disappearance, the strained family relationships, and her own first love – the son of migrant farm workers.
The crux of the novel is the reason for her uncle’s disappearing, and while I won’t reveal what it was, I will say that I had guessed it early on, which took much of the anticipation out of the reading. Yet I still very much enjoyed the book. The characters were well crafted, their actions and motives believable. I also (much to the chagrin of my book club friends) have a thing for novels about biologists, novels in which the author seems to share my fascination for how society mirrors nature, how human relations are not always so different from their animal counterparts.
I did find – as someone who would have had little patience for Mandy’s love-life myself – that this subplot was least interesting to me, and at times felt forced. I was far more interested in the family history, the past loves and losses, and of course – the butterflies. Yet Urquhart brought this around in the end in a satisfying if perhaps implausible way. The romance that sounded hopeless and desperate may have been so, but it also had its own beauty and passion.
Sanctuary Line is a reflection on migration: human, and insect. Read it for a touching story, for interesting use of metaphor, but do not look for a happy ending.
Hardcover: 288 pages
Publisher: McClelland & Stewart; First edition (August 31, 2010)